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6 photographsArchive Record FUH-QMQ3-TX6R-V
Era undetermined
Reference example
This pipe is documented here as an example for study — it is a record in the archive, not an item offered for sale. Everything below is what the piece itself, and the evidence around it, will honestly support.
Original stem
Yes
Faridunhill standing declaration
Stem replaced or re-cut
No
Faridunhill standing declaration
Rim cleaned (no wood removed)
Yes
Faridunhill standing declaration
Refinished
No
Faridunhill standing declaration
Chamber reamed
Yes
Faridunhill standing declaration
Smoked
Yes
owner stated
Facts, not a grade. We do not score a pipe out of ten: a number would rank a restored pipe above an honest one, and restoration is exactly what this hobby prices down. Every line above is checkable by anyone holding the pipe. Lines marked Faridunhill standing declaration rest on our published, dated statement of shop practice (v1.0, 2026-07-29) — not on an inspection of this individual pipe. It is one document, in public, that you can hold us to.
This reference example is a German-made smooth straight billiard from Oldenkott, carried in the firm's EVEREST line under the designation Grand Bruyere Supra and bearing the shape number 57. The bowl is — the 'Bruyere' of the stamping being the French term for the burl of the tree heath from which nearly all quality wooden pipes have been cut since the nineteenth century — finished smooth, and the pipe is fitted with a 9mm filter system, the drilling standard that dominates German-market pipes and reflects the strong domestic preference for crystal or activated-charcoal filtration. Oldenkott is among the venerable names of the German tobacco trade, a firm of the Lower Rhine with roots reaching back centuries in tobacco processing before its name appeared on pipes. Its pipes served the broad German market and are typically encountered, as here, with the 9mm filter bore that defines that market's expectations. The billiard is the foundational shape of the classical pipe canon: a cylindrical bowl set at or near a right angle to a straight shank of roughly equal length, with clean, unornamented lines. It is the shape against which all others are measured, and the number 57 places this example within Oldenkott's own shape catalogue. Dating rests on the stampings and on construction rather than on any factory date code, since Oldenkott, like most German makers, applied none. The EVEREST and Grand Bruyere Supra stamps identify the line, while the 9mm filter system is characteristic of German production from the middle decades of the twentieth century onward, when filtration became the national norm. Taken together, the evidence supports an honest bracket of mid-to-late twentieth century, with no narrower attribution warranted. The pipe stands in the archive as a representative document of German series production of that era: sober shaping, construction, and the filter system that distinguishes the German school.
2022-12-15
Logged from the Faridunhill archive — photographed and posted on Instagram, 2022-12-15.
2026-07-29
5 checklist facts recorded under Faridunhill's standing declaration of shop practice (2026-07-29).
2026-08-28
Honesty pass: statements the source does not support were removed (parts.bowl_material 'briar' removed; era 'mid-to-late 20th century).
2026-08-28
Honesty pass: statements the source does not support were removed (3 unsupported/absence sentence(s) removed from the essay).
This record is append-only. Nothing is deleted — a correction is a new entry that supersedes the old one, and both stay visible.
Nobody leaves empty-handed. If you hold the catalogue page, the dated advertisement, or a hallmarked sibling that closes one of these — or simply own this model and can measure yours — send it in. Contributions are checked, credited to you by name, and the record is updated with the date it changed.
Instagram post, 2022-12-15. Published to a third-party platform on that date and archived since — a timestamp we cannot move. It is evidence that this object existed and looked like this, then.
The photographs are the identity. 6 images of this pipe's grain, stamping and stem are held as its fingerprint. The handle above is only a handle: lose it, and the pipe can still be matched back to this record from its grain.